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Archivo:Renaissance "Azure D’ Or" (1979 Sire press photo).jpg

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Resumen

Descripción
English: Musical group Renaissance in a publicity photo for their album Azure D’ Or, circa 1979.
Fecha
Fuente ebay: https://www.ebay.com/itm/175794353669 Archive: https://archive.ph/p44qL
Azure D’ Or Sire 1979 Press Kit
Autor Distributed by Sire Records
Permiso
(Reutilización de este archivo)
English: No permission is required for the following reasons:
  1. A search was conducted through the U.S. Copyright Office public catalog, and there is NO record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain.
  2. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest.

English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Licencia

Public domain
Este archivo está en el dominio público en los Estados Unidos porque fue publicado en ese país entre 1978 y el 1 de marzo de 1989 sin un aviso de copyright, y su derecho de autor no fue posteriormente registrado con la Oficina del Derecho de Autor en 5 años. A menos que su autor haya fallecido años antes, se mantiene bajo propiedad intelectual de los países o zonas que no aplican la regla del plazo más corto para las obras estadounidenses, como Canadá (50 años p.m.a.), China continental (50 años, a excepción de Hong Kong o Macao), Alemania (70), Suiza (70), México (100) y otros países con reglas particulares. Vea esta página como referencia para más información.

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actual20:35 11 may 2024Miniatura de la versión del 20:35 11 may 2024977 × 694 (224 kB)PascalHDhigh-res
20:34 11 may 2024Miniatura de la versión del 20:34 11 may 20241140 × 929 (333 kB)PascalHDfront
20:34 11 may 2024Miniatura de la versión del 20:34 11 may 20241116 × 890 (107 kB)PascalHDUploaded a work by Sire Records from https://www.ebay.com/itm/175794353669 with UploadWizard

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