DescripciónSharon Tate in Eye Magazine, 1969.jpg	English: American actress Sharon Tate in a press photo for the May 1969 issue of Eye Magazine. This picture was also used as a publicity photograph for her film The Wrecking Crew, released in the same year.
Fecha	mayo de 1969
Fuente	https://simply-sharon-tate.tumblr.com/post/135653159389/sharon-tates-diet-secrets-as-reported-in-the-may
Autor	DesconocidoUnknown author
Permiso (Reutilización de este archivo)	English: *A renewal search was done at copyright.gov using the title Eye Magazine. There were no listings for the publication; there's no evidence of continued copyright on the magazine.
Otras versiones	A este archivo se le ha extraído la siguiente imagen: Sharon Tate in Eye Magazine, 1969 (cropped).jpg.

Este archivo se encuentra en el dominio público en los Estados Unidos porque fue publicado en ese país entre los años 1929 y 1977 (ambos incluidos) sin haber indicado un aviso de derechos de autor. A menos que su autor haya fallecido años antes, se mantiene bajo propiedad intelectual en los países o zonas que no aplican la regla del plazo más corto para las obras estadounidenses, como Canadá (50 años p.m.a.), China continental (50 años, a excepción de Hong Kong o Macao), Alemania (70), Suiza (70), México (100) y otros países con reglas particulares. Vea esta página y este diagrama como referencia e información. العربية ∙ беларуская (тарашкевіца) ∙ čeština ∙ Deutsch ∙ Ελληνικά ∙ English ∙ español ∙ français ∙ Bahasa Indonesia ∙ italiano ∙ 日本語 ∙ 한국어 ∙ македонски ∙ Nederlands ∙ português ∙ русский ∙ sicilianu ∙ slovenščina ∙ ไทย ∙ Tiếng Việt ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−

"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."

See also film still article, which explains that publicity photos were traditionally not copyrighted.