Rembrandt: La novia judía
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Artista |
Rembrandt
(1606–1669) |
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Nombres alternativos |
Rembrandt van Rijn, Nombre de nacimiento: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Descripción |
pintor, grabador y dibujante neerlandés |
Fecha de nacimiento/muerte |
15 de julio de 1606 |
4 de octubre de 1669 |
Lugar de nacimiento/muerte |
Leiden |
Ámsterdam |
Período de trabajo |
hacia 1625 o 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Lugar de trabajo |
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Control de autoridades |
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artist QS:P170,Q5598 |
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Título |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Object type |
pintura |
Género |
retrato |
Personas retratadas |
Isaac |
Fecha |
entre 1662 y 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
Técnica |
óleo sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensiones |
altura: 121,5 cm; ancho: 166,5 cm dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
Colección |
Rijksmuseum
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Nombre local |
Rijksmuseum Amsterdam |
Ubicación |
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Coordenadas |
52° 21′ 36″ N, 4° 53′ 07″ E |
Fundación |
1800 |
Sitio web |
rijksmuseum.nl |
Control de autoridades |
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institution QS:P195,Q190804 |
Ubicación actual |
Gallery of Honour |
Número de inventario |
SK-C-216 |
Lugar de creación |
Ámsterdam |
Historial de la pieza |
para 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Probable Christiaan Everhard Vaillant (1746-1829)), Ámsterdam
1825: comprado por John Smith (comerciante de arte), Londres, a Vaillant, Amsterdam
de 2 de mayo de 1828 a 3 de mayo de 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : sale of the collection of John Smith at Stanley, Londres, lot no. 67,, for 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
julio de 1833 (?): comprado por Albertus Brondgeest a Smith para Adriaan van der Hoop (1778-1854), Amsterdam
1854: bequeathed to the city of Amsterdam, Número de inventario SA 8292, by Adriaan van der Hoop, Amsterdam
30 de junio de 1885: lent to the Rijksmuseum Ámsterdam, Amsterdam, Número de inventario SK-C-216, by the city of Amsterdam
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Exhibition history |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Ámsterdam, 8 de septiembre de 1898–noviembre de 1898, cat. nº 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 de junio de 1932–4 de septiembre de 1932, cat. nº 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Ámsterdam, 18 de mayo de 1956–5 de agosto de 1956, Museum Boijmans Van Beuningen, Róterdam, 8 de agosto de 1956–21 de octubre de 1956, OCLC 15659340, cat. nº 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 de septiembre de 1969–30 de noviembre de 1969, cat. nº 22.
Rembrandt-Caravaggio, 24 de febrero de 2006–18 de junio de 2006, Van Gogh Museum, Ámsterdam, Cat.no. 29.
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Inscripciones |
Firma y fecha pie derecha:
Rembrandt f. 16[..]
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Referencias |
AnónimoUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, hacia 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -hacia 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , altura: 121,5 cm; ancho: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnónimoUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, altura: 121,5 cm; ancho: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnónimoUnknown author, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, altura: 121,6 cm; ancho: 166,4 cmdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
AnónimoUnknown author, Bildindex der Kunst und Architektur, object 20186112, as Das Brautpaar (Die Judenbraut), después de 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , altura: 121,5 cm; ancho: 166,5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
AnónimoUnknown author, Web Gallery of Art, as The Jewish Bride, hacia 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , altura: 122 cm; ancho: 167 cmdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Control de autoridades |
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Fuente/fotógrafo |
www.rijksmuseum.nl : Home : Info |
Otras versiones |
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