Taepyeongso

El taepyeongso (literalmente "gran instrumento de viento de paz"; también denominado hojok, hojeok 호적 胡笛, nallari, o saenap, 嗩吶) es un instrumento musical de viento coreano de doble lengüeta de la familia del shawm y oboe, probablemente un descendiente de la zurna persa y muy relacionado con la suona china. Posee un cuerpo cónico de madera fabricado con madera de yuja (cítrico), daechu (jinjól), o mora amarilla, con una boquilla metálica y una campana metálica en forma de taza. Pasó desde Corea a China durante el período Goryeo (918 – 1392).

El fuerte y penetrante sonido que produce ha hecho que su uso permanezca limitado a la música folclórica de Corea (especialmente "la música de bandas de granjeros") y a las bandas de desfile, estas últimas desfilando para la realeza en un género denominado daechwita. Sin embargo es utilizado en pequeñas dosis en otros géneros, incluidos los rituales musicales del confucianismo, budismo y shamanismo y música neo-tradicional y de fusión.

Referencias[editar]

Bibliografía[editar]

NCKTPA Taepyeongso page
Baines, Anthony. Shawms of the Sardana Coblas, The Galpin Society Journal 5 (March 1952): 9-16.
Bak, Gyeong-hyeon. Taepyeongso sinawi seonyulbunseok yeon-gu: Bak Jongseonryoreul jungsimeuro [Analysis of Bak Jongseon’s sinawi]. Master’s thesis, Dongguk University, 2004.
Bak Jong-seon. Taepyeongso sinawi, Park Jong-sen A-jaeng Sanjo. Seoul, Records SRCD 1190, 1994. Compact Disc.
Ben, Wu. Archaeology of Musical Instruments in China. In Garland Encyclopedia of World Music Vol. 7, 2002. 105-114.
Dick, Alastair. The Early History of the Shawm in India. The Galpin Society Journal 37 (Mar. 1984): 80-98
Francis, Aaron. "Drinking Straws and Shaman Melodies: a Historical and Analytical Study of the Taepyeongso" (Master's Thesis)
Go, Boyun. Pungmulnolireul wihan taepyeongso jidoban [a study of taepyeongso in pungmul]. Gugakgwa gyoyuk 20 (2002): 193-225.
Hesselink, Nathan, Pungmul: South Korean Drumming and Dance, Chicago: University of Chicago Press, 2006.
Hornbostel ,Erich M. von, and Curt Sachs. Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann. The Galpin Society Journal 14, (Mar. 1961): 3-29.
Howard, Keith, Korean Musical Instruments, Oxford: Oxford University Press, 1995.
Hwang, Jun-yeon. Modes and Scales of Korean Music. In Hanguk jeontong eumakui akjo [A study of modes in Korean traditional music]. Seoul: Seoul National University Press, 2005.
Lee, Kang-Sook. An Essay on Korean Modes. Asian Music 9:2 (1978): 41-47.
Lee, Yong-Shik. Shaman Ritual Music of Korea. Seoul: Jimoondung International, 2004.
Pratt, Keith. Korean Music: Its History and Its Performance. London, Faber Music, 1987.
Provine, Robert. The Treatise on Ceremonial Music (1439) in the Annals of the Korean King Sejong. Ethnomusicology 18:1 (Jan. 1974): 1-29.
Pyoun, Joongbae, Sangjin Cho, Yeonwoo Hong, and Uipil Chong. Extraction of Characteristics Corresponding to Bell of Taepyeongso Based on Acoustical Analysis. Hanguk eumhyanghakhoeji 27:1 (2008): 12-17.
So, Inhwa. Theoretical Perspectives on Korean Traditional Music: An Introduction. Seoul: National Center for Korean Traditional Performing Arts, 2002.
Song, Bang-song. Source Readings in Korean Music. Seoul: Korean National Commission for UNESCO, 1980.
Song, Kyong-Rin. Korean Musical Instruments. In Survey of Korean Arts: Traditional Music, National Academy of Arts, 31-76. Seoul: National Academy of Arts, 1973.
Yun, Myung-won. A Study of Musical Instruments in Korean Traditional Music. Seoul: National Center for Korean Traditional Performing Arts, 1998.

Datos: Q842190
Multimedia: Taepyeongso / Q842190