Usuario:Gelpgim22/Taller

De Wikipedia, la enciclopedia libre

Por post punk ruso se puede entender a varios estilos musicales que a veces difieren del post punk mas clásico, como tambien a grupos mas tradicionales del genero, pero que toman inspiaracion de cosas autoctonas, sobre todo de la estetica de la ex Union Sovietica. Se puede entender como post punk ruso a grupos de países que estuvieron en la exitinta Union Sovietica.

El genero

https://disonantes.cl/el-auge-del-post-punk-ruso-un-repaso-por-human-tetris/

https://www.lainformacion.com/arte-cultura-y-espectaculos/desde-rusia-con-post-punk_fimc6z7ac8oyfw2fgenpb1/

https://www.mugsnoticias.com.mx/musica/el-post-punk-y-su-reivindicacion-a-traves-de-los-memes/

http://filtermexico.com/2020/04/06/10-bandas-rusas-que-debes-conocer/

https://ibero909.fm/blog/que-responderias-si-te-preguntaran-del-post-punk-ruso


The Argentine power trio Manal in 1970, the first blues group to perform in Spanish

In 1970 the trio Manal established in Argentina the basics of blues sung in Castilian. Influenced poetically by the tango and generate Beatnik,[1]​ and musically by the blues, rock, jazz and African music of River Plate, the trio composed of Alejandro Medina, Javier Martinez and Claudio Gabis created a music that fused the roots of a genre born in the Mississippi Delta with elements of idiosyncrasy and local geography Porteña.[1]​ The lyrics of Manal emphasize existentialism, the industrial city and the railroads, is notable in one of his most well-known songs, "Avellaneda Blues":

Vía muerta, calle con asfalto siempre destrozado.

Tren de carga, el humo y el hollín, están por todos lados.

Sur y aceite, barriles en el barro, galpón abandonado. Charco sucio, el agua va pudriendo, un zapato olvidado.


Dead rail, street with asphalt always shattered. Freight train, smoke and soot, are everywhere.

South and oil, barrels in the mud, abandoned shed. Dirty puddle, the water is rotting, a forgotten shoe.


"Avellaneda Blues" by Manal (1970).[2]

The British and blues musicians of the early 1960s inspired a number of American blues rock fusion performers, including the Doors, Canned Heat, the early Jefferson Airplane, Janis Joplin, Johnny Winter, The J. Geils Band, Ry Cooder, and the Allman Brothers Band. One blues rock performer, Jimi Hendrix, was a rarity in his field at the time: a black man who played psychedelic rock. Hendrix was a skilled guitarist, and a pioneer in the innovative use of distortion and audio feedback in his music.[3]​ Through these artists and others, blues music influenced the development of rock music.[4]

Santana, which was originally called the Carlos Santana Blues Band, also experimented with Latin-influenced blues and blues rock music around this time. At the end of the 1950s appeared the bluesy Tulsa Sound merging rock'n'roll, jazz and country influences. This particular music style was popularized in the 1970s by J. J. Cale and the cover versions performed by Eric Clapton of "After Midnight" and "Cocaine".

  1. a b Jorge Senno. «El Blues en el Río de la Plata» La Casa del Blues.
  2. Avellaneda Blues Rock.com.ar
  3. Garofalo, pp. 224–225.
  4. «History of Heavy Metal: Origins and Early Popularity (1960s and early 1970s)». September 18, 2006. Consultado el August 13, 2008.